Telefunken Twins Redux


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Telefunken Twins by Anna Friz and Konrad Korabiewski

April 12th, 2015, 23:03 CET (GMT +2)
Kunstradio LIVE on air and on line — podcast of the program continues to be available here at lower resolution

on air: Ö1 Kunstradio in Austria, http://oe1.orf.at
on line: http://kunstradio.at/2015A/12_04_15.html

Telefunken Twins is a suite of pieces departing from a duet between two vintage Telefunken Bajazzo radio/cassette decks. Using radio as instrument and as system exciter, the pieces also utilize micro-FM transmission, low fidelity electronic instruments, analogue tape, dictaphones, walkie talkies, spectral monitoring, and intricate feedback systems to craft and expressive and intimate world from the sensuality of signal and noise. By working with small circuits of transmission live in the radio studio of Ö1 Kunstradio, Telefunken Twins seeks to transform radio away from its everyday role as an apparatus of entertainment or information diffusion, instead proposing radio as instrument, as landscape, and as a poetic space of reverie.
Telefunken Twins is commissioned by Kunstradio and supported by Danish Arts Foundation.

Tuesday April 14, Anna Friz and Konrad Korabiewski at brutto, Vienna.

BRUTTO meets Ö1 Kunstradio
Featuring live sets by Anna Friz & Konrad Korabiewski + Broken Heart Collector
on site: Brut Künstlerhaus, Vienna, Austria.  Entrance 3.-/5.- Euro
http://www.brut-wien.at/programm/detail/1186/de/

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Winter at 65.25° North


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Winter returns, which was a bit of a shock when I encountered it in the Toronto airport, traveling from midsummer in Chile to land in -22 celcius in Toronto. Now a month later, my tan is pretty much gone, and wearing long johns every day just seems normal again. The winter gusts blew me further north, even, to a work/retreat period back in Iceland, in Seydisfjördur, on the far east coast. Here I’m back at Skálar | Sound Art | Experimental Music HQ, to develop some exciting new work which involves field recording, pinhole cameras, turning a small empty house into a sound sculpture and/or radio station, and (tangentially) knitting a lot. Many thanks to the Canada Council for the Arts for sending me here and funding the research and preliminary production!

It may be dark and cold, but radio continues. ZimaFM/radioCONA Ljubljana broadcast my five-hour Uncoordinated Universal Time (2014) piece, an exercise in suspending time by manipulating the zero hour of the atomic clock, designed for overnight listening; Radiophrenia will be broadcasting the piece as well in April 2015 from the Centre for Contemporary Arts, Glasgow. Mobile Radio did a retrospective of their Mobile Radio Bienniale Sao Paulo programming as part of the 12 Days of Radio Art on London’s Resonance FM, which included some back episodes of my M.O.L.E.C.A.S.T. BSP series.

framework radio episode 496 incorporated a number of tracks from Somewhere a Voice is Calling — a piece about early radio and the first transAtlantic broadcast of the human voice by Reginald Fessenden in 1906, by myself, Absolute Value of Noise, and Glenn Gear. Listen to the whole show and also catch some other choice bits of phonography and experimental music, mixed by host Patrick McGinley.
You can also listen to (and buy your very own copy!) of Somewhere a Voice is Calling online here.

Coming up you can catch me and Konrad Korabiewski performing Telefunken Twins live in the ORF Kunstradio studios on April 12, 2015, featuring, among many other sounds and instruments, two particularly stylish Telefunken Bajazzo transistor radio/cassette machines.

Finally, I’ve just completed a new commissioned work for Radio Arts on the topic Dreamlands. My piece is called Two Sleepsa work about dreams of air and water, rising and falling. It premieres on Resonance FM in London on April 15, 2015, 9pm GMT. It will stream from the Radio Arts website after that.

Happy winter from the slopes of the morse mountain!

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Trilogy for Night and Radio


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This week is the premiere of the first part of The Remote Series, produced by Skálar FM and commissioned by the Creative Audio Unit of ABC Radio National, Australia for their weekly radio art program Soundproof.
Listen on air, online or download the series prologue Trilogy for Night and Radio: Radiotelegraph/Night Fall/Relay, a three-part sound work by Anna Friz and Konrad Korabiewski.

Autumn in the far north is characterized by a dramatic loss of daylight. In Seyðisfjörður, a small village on the far eastern edge of Iceland just below the Arctic Circle, each day in October has eight minutes less daylight than the one before. The sun is slower each day to crest the mountains which ring the fjord, until mid-November when it no longer rises above the mountains, and the town experiences only indirect light until February.

Trilogy for Night and Radio is a radio art work in three parts that explores remoteness, the descent into darkness and the long Northern winter night. Trilogy is a collaborative exchange between two traveling sound artists – Anna Friz and Konrad Korabiewski – that meditates on feelings of place using the materiality of signals, overlapping remote geographical spaces. As part of the work, we recorded, performed, re-recorded, and composed with sounds and signals from Iceland and Slovenia, with a relay broadcast to Chicago.

Radiotelegraph, is a beacon in spoken morse code, designed by Anna for unlicensed radio simulcast in Seysdisfjördur, Iceland, and in Chicago, U.S.A on the Radius platform in October 2013. Incorporating performed morse code, electronics, and sampled radio signals, Radiotelegraph reflects Seyðisfjörður’s remote location in a deep fjord off the Atlantic Ocean, which was also the site of the first telegraph cable connection between Iceland and Europe in 1906.

Night Fall is an improvised live performance by Anna and Konrad for unlicensed low-watt transmission in Seyðisfjörður to accompany the shift from sundown into full night time darkness. Night Fall elaborates on the sonic palate created in part one, with a soundscape that contemplates the acoustic and electro-magnetic landscape of Seyðisfjörður in the disappearing light of dusk and the feeling of suspended or expanded time that strongly characterizes this village in east Iceland. The performance was recorded live from a small transistor radio receiver, and edited.

The final segment, Relay, is built from recordings made by Anna and Konrad around the winter solstice (December 21-22) in the empty post-industrial spaces in which they were working–Anna in a former tobacco factory in Ljubljana, Slovenia; Konrad in an empty herring factory in Seydisfjördur. They intertwined these traces and signals from distant spaces, using the architecture and landscape as a filter for their signals. Anna took elements from Radiotelegraph and replayed them into the iron bannisters and wooden walls of the tobacco factory using tactile transducers, or speakers which transmit vibrations into surfaces. These signals were re-recorded using contact microphones, and sent to Konrad, who mixed them together with field recordings from different houses and the empty herring factory.

Trilogy for Night and Radio is the prologue to the four part Remote Series, which will air on Soundproof in early 2015 and will feature artists Tumi Magnússon (Iceland), Fernando Godoy M (Chile), Jana Winderen (Norway) and Christina Kubisch (Germany).

Trilogy for Night and Radio was produced for the Creative Audio Unit with additional support from the Danish Arts Foundation, the Danish Composer’s Society, radioCONA, Kultural Center Tobačna 001, Skaftfell Center for Visual Arts, and Radius.

 



Radiotelegraph continues to travel


Friz_morse_mountainBack in October 2013, while on residency at Skaftfell Center for Visual Art in Seydisfjördur, Iceland, I crafted a 16:00 minute radio beacon to broadcast on my private transmitter every evening at sundown for a week. Radiotelegraph featured my first formal attempts at performing vocal morse code, laid over a bed of signals and oscillations. It was simulcast on the mighty Radius in Chicago, U.S. as episode 44 in their esteemed catalogue of transmission experiments.

In the last month, Radiotelegraph has made its way around the world in various ways:

-featured on Radius’ Sketchpad series on WGXC New York and the Wavefarm’s Transmission Arts archive, May 23, 2014

-featured in the latest curated playlist of Radius’ PATCH series on WFMU New Jersey and the Free Music Archive (FMA), posted June 1, 2014. This series includes three Radius episodes that reflect on the concept of distance.

-featured as part of radio trickster Gregory Whitehead‘s edition of Radio Yak, heard on the brand new Soundproof program, Radio National of the Australian Broadcasting Corporation, aired May 25, 2014.

And finally… tomorrow I’m on my way to give a paper at the Radio As Art conference at the Weserburg Museum Studienzentrum in Bremen, Germany, taking place from 5-8. June 2014. I’ll be talking about “The Wireless Experience of Distance”. The whole conference will be streamed by Mobile Radio here, including some really nice curated overnight programming from the Radia network and ORF Kunstradio.



A little bird told me…


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Some news from the Uhrwald, where cuckoos nest at night: I’m very pleased and honoured to have been awarded second place in the Prix Palma Ars Acoustica 2014 for Collecting Clocks and Losing Time (2013), a feature-length radio art composition created in 5.1 surround sound for ORF Kunstradio, on the Austrian national public radio.

Collecting Clocks and Losing Time is part of a body work I’ve been developing over the past four years of iterative experiments with radio and timekeeping, and includes Studio Time (2013), 5 Times (less a hundred) (2012), Measure the time taken (2011), For the time being (2010), and the ongoing project Zero Hour. This piece has some special emotional resonance for me, as it was composed around recordings of my late father’s cuckoo clocks, one of which was broken in such a way as to eternally cuckoo until the escapement runs out. In addition to the individual eccentricities of these clocks, the work features manipulations of the atomic clock, or coordinated universal time as broadcast globally on shortwave frequencies. It would be fair to say I’ve been obsessed with broadcast time since the mid-1990s, and since making Collecting Clocks and Losing Time, I have continued my focused manipulations of clocks in longer form works for overnight broadcast, particularly the 5-hour work Uncoordinated Universal Time (2014).



NRRF B Radio presents: The Electric Earth


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That’s right, is time for another episode of NRRF B Radio, broadcast live (87.9FM) from the mighty Experimental Sound Studio in Chicago, and streamed from Wavefarm radio/Transmission Arts in New York state.

Wednesday, April 16, 2014.  11:00-14:00 Central Daylight Savings Time (GMT -5), listen in on WGXC New York on Thursday, April 17, 2014, 0:05-2:20.

The Electric Earth

The Frosty and Frothy NRRF Pirates have found themselves and their trusty schooner locked on a course DUE SOUTH owing to a badly malfunctioning compass. As they approach what appears to be the frozen, southern polar landmass, they suddenly discover that their ship is no longer moving. They are immobilized by the pack ice, so they decide to sing songs while quickly finishing off the rum. In their stupor, the crew encounters one very smelly and dreadfully lost Ijiraq which causes them to vacate the boat and immediately become lost on the ice where they experience many strange sensations and illusions: an unsettling shift in gravity, rings around the sun, a very convincing fata morgana, and several frightening aural hallucinations, all of which confuse them further. As they press forward to nowhere, the ice or permafrost begins to give way under their feet in a glorious thaw. Is the land melting away? Eventually the crew finds magnificent caverns filled with crystalline formations that seem to be connected to a giant electric ray transmitter. What is this strange world? A mirage? Madness? A secret military installation? Or the solution to the world’s fossil fuel addiction? The fearless crew are all frozen in static, and we wonder, what could possibly happen next?!?

NRRF is a collaborative effort to make unlicensed neighborhood radio art. B Radio mashes b-list film and pulp fiction genres with radio art to structure the improvisational nature of the shows. It’s live radio, streamed, with special guests and live audience. The core group consists of Jonny Farrow, Anna Friz, Steve Germana, Jeff Kolar, and Peter Speer.



Traversing Flatland


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I’m hurtling across the corn fields of downstate Illinois on the train at the moment, through a decidedly un-spring-like landscape that is just thinking of coming back to life after the long winter here. I’m on my way to do some work with Jay Needham, Associate Professor in the Radio, Television, and Digital Media Department at Southern Illinois University, Carbondale IL. I’ll be giving a lecture in the department tomorrow (10 April) on research creation and transmission art, entitled Radio is not a ContainerJay and I are preparing for our lecture-performance Zero Hour at Art+Communication: Fields in Riga, Latvia, in May this year. And we’ll be firing up the mics for a radio party with some grad students later this weekend. Woot!

Also coming up, a new episode of NRRF: B Radio from 11:00-14:00 (CDST, Chicago time) on 16 April, streaming and broadcasting live from the Experimental Sound Studio, Chicago, and streamed/rebroadcast by WGXC Transmission Arts, NY. The intrepid crew reunites to explore The Electric Earth.

Finally, I’ll be passing through Montreal the last week in April, so stay tuned for another collaboration by Ghost Imbiss.

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Yes, that’s a bit of leftover snow on the ground.


Putting the funk in Telefunken


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Oh Berlin, I love your flea markets. This little night light is going to be in a new piece this spring…. I just bought her sister on the interweb…



This week in Copenhagen….


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A train and a ferry ride away from Berlin, and I find myself in Copenhagen, Danmark this week for a series of events, thanks to the enthusiastic curatorial efforts of Jan Høgh Stricker and Anne Clement and KNTN.

Tonight (7. February, 2014) I’m performing together with Konrad Korabiewski (that’s us in action above) at the noise bunker known as Mayhem, Ragnhildgade 1 Kbh NV. Doors at 20:00, opening acts Hannibal Andersen and David Maranha, though we will be performing second. We’ll be using a multi-channel speaker and radio set up, with various low-fi electronics, cottage-built instruments, and mutually intertwined feedback systems. As analogue as possible.

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Sunday 9. February 2014, 12:00-16:00, Konrad and I will give a workshop, whose title is inspired by the ever-erudite Gregory Whitehead:  An Intricate Game of Position: Critical artistic and phenomenological approaches to sound and radio.  This workshop discusses key paradigms such spatiality and resonance, active listening, transception, and transmission ecology, and includes a listening session and demonstration of basic transmission principles using micro-radio. Participants will also undertake guided activities and improvisational exercises such as soundwalking, and work together to create ‘instant’ performative radio pieces.  Taking place at the YNKB and Astrid Noack’s Atelier here in ydre Nørrebro, Copenhagen.

Earlier in the week, I curated this month’s episode of Københavns Radiobiograf at the Gloria Bio on Tuesday 4. February (where an audience gathers to listen to radio pieces in a darkened cinema). In addition to some old and new pieces of my own (Respire, Pirate Jenny, and Radiotelegraph) I had the pleasure of sharing some of my favourite pieces by others, like Miranda July‘s WSNO, About Time by Yves Daoust, and an excerpt from a.j. cornell‘s Private Telephone 1981. Check them out yourself, and wear some headphones while you listen!

Also gave a lecture on Thursday 6. February at the Hovedbibliothek or main library here in Copenhagen, on the topic of “The Unstable Art of Radio“, which was a brief introduction to creative uses and manipulations of radio and electro-magnetic waves, particularly looking at working with transmitters, manipulating receivers, and some aeriology. Really nice audience, and a great opportunity for me to dig up old crystal set schematics and evidence of DIY tinkering… even as proposed by Quaker Oats:

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all over the airwaves


radiussmallCurrently getting around the independent radio networks of Europe and beyond: extensive broadcasting in Ljubljana, Slovenia with radioCONA and Radio Študent in January, then some spontaneous radio making with p-node at Club Transmediale, Berlin (featuring some lovely collaborations with Jeff Kolar of Radius, Ann Rosen and Sten-Olof Hellström of Schhh, and as Ghost Imbiss with Jeff Kolar and Emilie Mouchous). Special Radius playlists including my episode 44 Radiotelegraph graced the p-node last week, and will be broadcast overnight on February 7, 2014, on the Endless Tape program of EPSILONIA Radio Libertaire, 89.4FM in Paris, France.