anna friz

Endless Love: All Transistor Model is a 12-hour durational performance/sound installation conceived by Karine Denault, Anna Friz, and Dana Gingras. We had a red-lit love-soaked premiere of the work overnight on June 20-21, 2015 from 20:30-8:30, at Stable, Montréal, during the 24-hour art event Endless Love. Two dancers, 30 transistor radios, 3 frequencies, 4 auxiliary audio channels and a giant disco ball, for that immersive full-body love effect.

The performers (Karine Denault and Dana Gingras) move through an installation of mid-century AM/FM transistor radio receivers set upon the floor, with four open cone speakers attached to radiators on the surrounding walls. They tune, re-tune, and de-tune across the nighttime landscape and the radio dial, searching for songs of love. They slow dance together, and with others in the audience; they sleep in the radio city troubled by fitful dreams and nightmares; they seek resuscitation and connection through minimal gestures and concrete interaction with the radios and each other. Time lurches unevenly through the night. The heart in crisis requires action, even if union is temporary, fragile, or only glimpsed but never realized.

The radio landscape is responsive to the bodies of performers and visitors alike: several micro-watt FM transmitters narrowcast a drunken, time-stretched version of a love ballad, as well as static, textures, heterodyne hums and signals, creating a physical soundscape that is constantly acted on and disrupted by the slipping frequencies and electrical interference between devices and the dancers’ moving bodies. Bodies serve as antennas, and receivers become transmitters.

Sound artist and designer Anna Friz further engages the radiophonic field, by changing the scenography of radios and lights periodically from one sculptural ‘set’ to another, as well as modulating and manipulating the incoming and outgoing signals, with a focus on feedback and making the circumstances of transmission audible. In this way the radios act as the sound system, as the moveable scenography, and as collaborating performers, as the devices themselves produce unexpected sounds.

the all transistor model

No Comments | In: news, performances | tags: 12-hour dance performance, animals of distinction, anna friz, dana gingras, dance installation, durational performance, Endless Love: All Transistor Model, Karine Denault, radio art, transmission art. | #

Heart as Arena created by Dana Gingras/Animals of Distinction, goes to the Centennial Theatre in Sherbrooke and La Rotonde/Centre Méduse in Québec City, April 23 and April 25-27, 2013. I’m the transmission artist/composer for the piece, so I travel with it too to wrangle les ondes radio turbulents.

Setting up the ring of suspended radios for the April 23, 2013 show at the Centennial Theatre, Lennoxville/Sherbrooke, Québec. Photo by dancer and costume designer Sarah Doucet.

No Comments | In: news, performances | tags: animals of distinction, anna friz, centennial theatre bishops university, dana gingras, la rotonde, sound design. | #

We’re remounting Heart As Arena, a new dance work by Dana Gingras/Animals of Distinction, with radio installation and sound composition/design by yours truly.

May 10, 11, 12, 2012 at the NAC Studio at Canada’s National Art Centre in Ottawa

and May 29, 30, 31, 2012 at Agora de la danse, as part of the Festival TransAmériques in Montreal

Heart as Arena is a multimedia work for five performers, explores ideas of receptivity, transmission and the secret language of electricity that animates heart, mind and muscle.

Low-watt radio transmitters broadcast a fragile stream of love songs, snatches of static, and the deep silence of space.  A constellation of radios hovers above the dancers, creating a living array of sound. The transmissions create a physical soundscape that is constantly acted on and disrupted by the slipping frequencies and electrical fields created by the dancers’ moving bodies. Bellini’s Norma, the canonical opera of desire, love and loss, acts as the emotional centre of the piece, emerging and disappearing throughout the piece like a distant station heard on late night radio.

This choreography explores the heart as an arena of electrical and emotional force fields; the attraction and repulsion of bodies in motion; physically demanding expressions of need and want; the electrical interplay at the base of our emotions; the firing and silencing of the very neurons that create our experiences of falling in or out of love.

The work features performers Sarah Doucet (Toronto), Shay Kuebler (Vancouver), Amber Funk Barton (Vancouver), Masaharu Imazu (Montreal/Japan) and Dana Gingras (Vancouver/Montreal). Creative collaborators include sound artist Anna Friz (Chicago), lighting artist Mikko Hynninen (Finland), dramaturge Ruth Little (England), with additional dramaturgy by Daniel Canty (Montreal).

No Comments | In: news, sound design | tags: animals of distinction, anna friz, dana gingras, FTA 2012, heart as arena, NAC Dance 2012, shameless self-promotion, sound design. | #

photo: Yannick Grandmot

I’ve had the great pleasure to be working with Dana Gingras and her dance company Animals of Distinction on a new piece called Heart as Arena.

Here’s a little teaser of what we’re up to:

How far is far away? Wireless transmission is a paradox of intimacy and distance. In “Out of the Dark: Notes on the Nobodies of Radio Art” (1992), Gregory Whitehead writes that radio involves “staging an intricate game of position, a game that unfolds among far-flung bodies, for the most part unknown to each other”. For Heart as Arena, this game of position involves bodies and radios playing on stage, bodies in the audience, signals passing through the theatre from local or distant stations as well as mobile phones and wireless systems on all bands, the built environment of the city and its electrical currents. Using a multi-channel micro-watt radio system, radio becomes a frame for a series of relationships, near and far, where visible gestures meet invisible electro-magnetic interactions;  a circuit built, played with, and played within.

We are immersed daily in a welter of signal, so tonight our interest centers on resonant bodies traversing the volatile nocturnal radio landscape in search of elusive union, tuning in to songs full of desire for love and comfort, the most mortal dreams of all. Bodies serve as antennas, and receivers become transmitters. What we find is that there is no such thing as dead air: the radio landscape is alive though connections are fragile and prone to interference, urgently vibrating with activity, temporary but resonantly human.

The work is conceived and choreographed by Dana Gingras, and features performers Sarah Doucet (Toronto), Shay Kuebler (Vancouver), Amber Funk Barton (Vancouver), Masaharu Imazu (Montreal/Japan) and Dana Gingras (Vancouver/Montreal). Creative collaborators include radio artist Anna Friz (Montreal/Chicago), sound and lighting artist Mikko Hynninen (Finland), dramaturge Ruth Little (England).

Now Showing: Oct 4,5,6,7,8  2011  Buy Tickets @ The Cultch, 1895 Venables Street Vancouver, BC  Box Office: 604-251-1363

As you may guess, there are lots of radios in this show, beautiful transistors from the mid-’60s to the late-’70s. A veritable landscape of radios, as well as a landscape of radio sound. I’ll post more photos once we arrive in Vancouver. For me this is a wonderful opportunity to extend the work with multi-channel radio sculpture into a theatre setting, so radios act as environment, sculpture, and scenography; while the material conditions of radiophonic communication have been physicalized in the choreography.

For those not in Vancouver, fear not! Heart as Arena will be touring to many Canadian cities in the next year, including Ottawa (National Arts Centre), Montréal (L’Agora de la danse), Edmonton, Lennoxville, Quebec City, and hopefully points beyond.

Check out some press: preview here, and review here.

No Comments | In: news, performances, sound design | tags: animals of distinction, anna friz, dana gingras, heart as arena, radio art, shameless self-promotion. | #