I have a site-specific installation up this weekend in Berlin as part of the conference Digitale Sinneskulturen des Radios/Multisensual Radio Culture.
21./22. JUNI 2013
STUDIO P4 | Nalepastraße 18-50 | 12459 Berlin
Studio Time is a new piece which adapts compositional elements from For the time being (2010) and What the cuckoo knows (2013), two recent pieces of mine exploring aspects of radio and timekeeping. This family of works considers the fallibility and musicality of broadcast clocks. Studio Time uses incidences of official time signals (such as UTC broadcast on shortwave radio, the National Research Council time signal heard on Canadian public radio, and clock tower bells heard at noon on Finnish and Dutch radio stations), as well as sounds from domestic analogue striking clocks, particularly cuckoo clocks. The installation was created for the conference on the site of the former studios of the DDR Funkhaus, now a recording studio and venue. The studio is preserved in its original design, and Studio Time occupies four voice-over isolation booths adjacent to a main studio. Each booth has a different part of the piece: two single channel pieces are heard over a mono speaker in each of two booths, a set of headphones plays a stereo piece in the third booth, and a mono radio transmits a composition in the fourth booth.
Digitale Sinneskulturen des Radios is presented by Masterstudiengang Online Radio, Martin-Luther-Universität Halle-Wittenberg mit Breitband, Deutschlandradio Kultur und Experimentelles Radio, Bauhaus-Universität Weimar.